Gotan Project Discographie 320

Gotan Project Discographie 320
  1. Gotan Project Music

. ^ Steffen Hung (2010-12-28). Retrieved 2015-11-08. ^ Steffen Hung (2010-12-28).

Archived from on 2016-06-03. Retrieved 2015-11-08. ^ Steffen Hung.

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This page includes Gotan Project's discography as a leader along with helpful purchase links. Help us complete the Gotan Project discography. Learn how here.

Archived from on 2016-03-05. Retrieved 2015-11-08. Retrieved 2016-05-17. Retrieved 2016-05-17. Retrieved 2016-05-17. Retrieved 2015-11-08. ^.

Retrieved 2016-05-17. Retrieved 2016-05-17. Steffen Hung. Retrieved 2015-11-08. ^. Retrieved 2015-11-08.

Gotan

Gotan Project Music

Mario Mesquita Borges (2001-11-27). Retrieved 2015-11-08.

Retrieved 2015-11-08. ^. Retrieved 2015-11-08. Steffen Hung. Archived from on 2016-03-06. Retrieved 2015-11-08. Archived from on 2014-06-25.

Retrieved 2015-11-08. ^.

Retrieved 2015-11-08. Retrieved 2016-05-17. Retrieved 2015-11-08. Thom Jurek (2010-04-20).

Retrieved 2015-11-08. Retrieved 2015-11-08.

Gotan

Retrieved 2015-11-08. Retrieved 2015-11-08. Thom Jurek (2011-10-25). Retrieved 2015-11-08.

Retrieved 2015-11-08. Jon O'Brien (2008-11-14). Retrieved 2015-11-08. Retrieved 2016-05-17.

Retrieved 2016-05-17. Retrieved 2016-05-17. Retrieved 2016-05-17.

Retrieved 2016-05-17. Retrieved 2016-05-17. Retrieved 2016-05-17.

Retrieved 2016-05-17. Retrieved 2016-05-17. Retrieved 2016-05-17. Retrieved 2016-05-17. Retrieved 2016-05-17.

Retrieved 2016-05-17. Retrieved 2016-05-17.

Retrieved 2016-05-17. Retrieved 2016-05-17. Retrieved 2016-05-17.

Before they perfected the electronica-meets-tango sound of the Gotan Project, Paris musicians Philippe Cohen Solal and Christoph H. Mueller worked together in the Boys from Brazil and Stereo Action Unlimited as early as 1996. Releasing their music on Solal's Ya Basta label, the two quickly caught the ears of Jazzanova, Gilles Peterson, Mr. Scruff, and other electronica tastemakers, while Coca-Cola picked a Boys from Brazil track for a European television commercial. Despite all the success, the duo wanted a project that had a more consistent mo.

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